![]() ![]() His first success came in 1973 when he recorded Der Freischütz with Staatskapelle Dresden, followed by recordings with the Vienna Philharmonic (VPO) of Beethoven's Symphony No. 5 with Arturo Benedetti Michelangeli and a 1979 recording of Puccini's La bohème at La Scala. Kleiber's first two studio recordings were abandoned before completion: a 1975 recording of Beethoven's Piano Concerto No. Kleiber's contributions in the studio and stage have secured his place as one of the most important 20th century conductors. ![]() Following his abandonment of the studio in 1982, Kleiber is represented by 75 live audio and 18 live video recordings, many of which are bootlegs those of Der Rosenkavalier and the Vienna New Year's Concerts have been especially admired. Each became critically acclaimed in its own right, with those of Beethoven's 5th and 7th symphonies hailed as among the most outstanding classical music recordings ever made. His nine studio recordings are of four operas and five symphonies published by Deutsche Grammophon, as well as a single piano concerto with EMI. Equally as hesitant with recordings, Kleiber stated that "every unproduced record is a good record", and was described as not being able to "bear the thought of listeners sitting at home with a score in their hands… identifying every mistake". He was famous for his elusiveness, often canceling concerts on short notice and appearing in only 96 orchestral concerts as well as about 620 opera performances. The Austrian conductor Carlos Kleiber (1930–2004) only released nine studio recordings over the course of his five-decade career. ![]()
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